This exhibition focuses on the jewelry of artist Alexander Calder (1898–1976), which functions as sculpture on a small scale while retaining the linear yet three-dimensional aspect of the monumental mobiles for which he is known.

The paintings in this exhibition illustrate the diverse practice of folk artists working in the northeastern United States during the late eighteenth and nineteenth centuries. The selection demonstrates the array of individual styles inspired by different creative environments outside the "academic" art world, from the professional painter trained in a commercial workshop to the self-taught artist or amateur.

The Museum welcomes two masterpieces made for Philadelphia by two of nineteenth-century America’s finest artists, Thomas Eakins and Augustus Saint-Gaudens. Close contemporaries and friends, they both trained in Paris and traveled in Europe before returning to the United States about 1870 to begin distinguished careers. Sharing a belief in the expressive power of the human body as a subject for modern painting and sculpture, they developed different styles.

This exhibition includes thirteen examples by leading Southern quilt makers. The collection was formed between 1981 and 1983 while Ms. Torrey was conducting fieldwork on African American quilt-making with Maud Southwell Wahlman.

This installation features compelling images of the women of Gee's Bend and their life in rural Alabama, taken by visual artist Linda Day Clark.

This exhibition—the first major survey of the work of the American painter, Thomas Chambers—seeks to define his style and sources, and to investigate the audience for popular American landscape painting in the mid-nineteenth century. Approximately 60 objects are being borrowed from public collections throughout the United States, including 40 paintings by Chambers and 20 related prints and paintings by his contemporaries.

This exhibition offers one of the first surveys of Japanese crafts in all their rich diversity of media and techniques through the entire 20th century, from Japan’s first forays on to the international stage of World’s Fairs to the heady internationalism of the 1920’s and 1930’s, to the dynamic creativity of the post-WW II period and to the present.

This exhibition explores the vital role of Paul Cézanne in the history of modernism and as an extraordinarily rich resource for artists into the twenty-first century.

Grand Scale assembles more than forty oversize and multi-part woodcuts and engravings from United States collections. Except for an exhibition of giant Renaissance woodcuts in the 1970s, this is the first exhibition in more than 100 years to explore the origins of this genre in printmaking with works by some of the most important artists and printmakers of their day.

Marcel Duchamp’s enigmatic assemblage Étant donnés: 1. La chute d’eau, 2. Le gaz d’éclairage (Given: 1. The Waterfall, 2. The Illuminating Gas) has been described by the artist Jasper Johns as “the strangest work of art in any museum.” Permanently installed at the Museum since 1969, this three-dimensional environmental tableau offers an unforgettable and untranslatable experience to those who peer through the two small holes in the solid wooden door.