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Portrait of Madame Augustine Roulin and Baby Marcelle

Vincent Willem van Gogh, Dutch, 1853 - 1890

Geography:
Made in Arles, France, Europe

Date:
1888

Medium:
Oil on canvas

Dimensions:
36 3/8 × 28 15/16 inches (92.4 × 73.5 cm) Framed: 49 1/4 × 41 1/2 × 6 inches (125.1 × 105.4 × 15.2 cm)

Curatorial Department:
European Painting

* Gallery 261, European Art 1850-1900, second floor (Resnick Rotunda)

Accession Number:
1950-92-22

Credit Line:
Bequest of Lisa Norris Elkins, 1950

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Label:
While living in Arles, France, Vincent van Gogh created portraits of the family of his friend Joseph Roulin, a local postmaster, including this painting of Roulin’s wife and infant daughter. A portrait of the family’s son, Camille, is also owned by the Museum.

Provenance

Émile Bernard (1868-1941), Paris; with Ambroise Vollard, Paris; Amédeé Schuffenecker (1854–1936), Clamart, 1908; Fritz Meyer-Fierz, Zürich, by 1924; sale, Meyer-Fierz, Frederich Muller and Company, Amsterdam, July 13, 1926, no. 10. With Galerien Thannhauser, Munich and Lucerne (later Berlin and Paris), by 1927 to c. 1937 [1]. Knoedler & Co., New York, joint ownership (half share) with Mme Paul Guillaume (Domenica Guillaume), June 21, 1937 to 1946 [2]; sold to William M. Elkins (1882-1947), Philadelphia, May 1946 [3]; his wife Elizabeth "Lisa" C. Norris Elkins (1898-1950), Philadelphia; bequest to PMA, 1950. 1. Exhibited at Thannhauser Galleries, Berlin, "Erste Sonderausstellung in Berlin," January 9-February 1927. Published in de la Faille, 1928 (no. 490) as Thannhauser Gallery, Munich. The Thannhausers closed their original Munich gallery in 1928; they closed the Berlin branch in 1937 and moved to Paris. 2. Getty Research Institute, Knoedler Book 8, stock no. A1882, p. 173. De la Faille, Vincent van Gogh, 1939, no. 520, lists the current owner as Reid & Lefevre Gallery, London on p. 369, although the painting is still listed under Thannhauser Gallery, Paris, in the "Index of Collections" (p. 559). According to Lefevre Fine Art (letter dated 26 February 2004, in curatorial file), the painting was owned jointly with Knoedler and sold by Knoedler; however, Reid & Lefevre are not noted as joint owners in the Knoedler stockbooks, which list only the half ownership with Mme Guillaume. Knoedler lent the painting to exhibitions in the US and Canada in 1940, 1941, 1943, 1944, and 1946. 3. Getty Research Institute, Knoedler Book 9, stock no. A1882, p. 24.


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